Mr. Dickau,
Thank you for your comments and questions. First, to address your question regarding whether my essay falls within the theme of this year's competition, the theme deals with "what is ultimately possible in physics," with a related aspect being "what is ultimately IMpossible in physics." This was made explicit in the evaluation criteria, which I quote here:
"What role do 'impossibility' principles or other limits (e.g., sub-lightspeed signaling, Heisenberg uncertainty, cosmic censorship, the second law of thermodynamics, the holographic principle, computational limits, etc.) play in foundational physics and cosmology?"
In this light, an essay dealing with the impossibility of time travel strikes me as being well within theme's boundaries. As to whether my position is falsifiable or not (i.e., whether it is science or not), it is. All one need do to falsify it is to demonstrate conclusively that time travel of the variety portrayed in science fiction *is* possible. But there are also other, simpler, potentially actually achievable approaches to falsifying it as well; these are discussed in reference 4 of my current essay.
Now, having hopefully put that issue to rest, I'm delighted to address the very excellent and interesting story of Don Juan to which you alluded, because it is very germane to my argument regarding time. Thank you for bringing it to my attention. I'd not heard of it before, but now I'll plan to look it up to read in detail.
If I'd done a better job of writing my essay and explaining more clearly my argument, it would have been immediately clear to you exactly how the Don Juan story (as you've summarized it) actually serves as an illustration of the concept I'm trying to convey. Configurations of the universe are what it's all about. For example, Hollywood film-makers manage to "re-create" visual impressions of bygone eras by "re-creating" in carefully controlled environments the configurations of whatever era they're trying to portray in the film. If the film is about Al Capone, they drag out all the old cars from museums and all the period clothing and use them to re-create a small configuration, in the confines of a sound stage or elsewhere, which mimics a small part of the configuration of the universe as it existed during the gangster era, or whatever other era they're trying to re-create.
All the "stuff" in the universe always has some configuration, i.e., some arrangement, which is constantly changing, i.e., evolving. We are all perpetually and unavoidably "letting go of one configuration of the universe and latching onto another." We have no choice in the matter. It's an inevitable consequence of being ourselves parts of the evolving universe. In this sense, and in this sense only, we are all time travelers. We are all continually making new "assemblage points" for ourselves, whether we want to or not and whether we know it or not; we are continually burning some old bridges and building some new ones. But we're basically always just shuffling around the same stuff from one place in the universe to another. As in the Don Juan story.
If I've still failed in giving a sufficiently clear explanation of the point I'm trying to convey, please don't hesitate to ask for further clarification. I'll be happy to give it another try, as needed. And thank you for the lead to the Don Juan story!
Cheers