Hi Armin,
I really appreciate your response! My girlfriend described it as "kind and heartwarming" which I totally agree with. Thanks for signing up for the movie's email list as well. It has been difficult to drum up support for "Digital Physics", given its uniqueness, so your enthusiasm and interest in the movie is really appreciated.
So you want to know why an actuary, someone who should know something about (difficult) odds, embarked on the daunting project of making a feature film? It's actually a simple answer: I went into it with an unrealistic model of expectations... a naïve model... a model that underestimated the work involved... a model based on one scenario where everything goes according to plan and you don't give yourself a heart attack;) But seriously, filmmaking is a lot more accessible these days and so is the education around it, so if you're interested in getting into the art form, don't over think it... just dive into the learning and creating process... make something, critique it, get feedback, and then do it again. You already have the music side covered, and audio is more than half of the film experience. I recommend playing around with Adobe After Effects. I bet you could make some great pieces of visual art to compliment your piano playing. If you can do that, you're a filmmaker. End of story. QED. Worry about financing, locations, actors, scripts, etc. at a later date.
Now on to the science...
I checked out your youtube presentation on a novel approach for making sense of the Copenhagen Interpretation. (I also enjoyed your "sunset landscape" piano piece. I pictured George Seurat's "Sunday Afternoon..." but with slightly warmer sunset tones.) Your talk about how the surface to volume ratios of smaller objects of the same shape are greater and therefore more 2-D reminded me of how properties of a substance can change when they are in small quantities due to the fact that the substance has a higher proportion of its molecules on its surface, and therefore a higher proportion are interacting with the substance's surrounding environment, not just with the molecules/atoms on the "interior" of the substance... whatever that word means to a Flantlander. (Actually, you talked about objects of the same "shape" in your discussion when discussing surface to volume ratios, but I think that term is a little vague if we're dealing with a discrete atomic model. I think trying to derive a more precise notion of "shape" in your discrete atomic model might even be insightful and help build out your theory a little more.) So some of the properties of the substance do not seem to be self-contained within the molecules themselves, but are properties that should be attributed to the interactive relationship between the substance and its environment. Could this stripping away of properties attributed to "things" be extended? Could more properties thought to be the properties of particles/matter really be looked at as properties that arise from interactive relationships? Could a non-physical, informational reality give rise to all the properties that we attribute to a physical world of particles? Maybe this viewpoint makes the "shut up and compute" reality of QM more intuitive. Maybe the world is purely mathematical/informational/formulaic/non-physical at its core. Information has no purpose/meaning/existence unless it is describing relationships... which I think is consistent with the viewpoint we extract from QM experiments. I think this also relates to the conversation I was having with Luca on the subjective nature of experiencing color.
I also liked your distinction between "potential" and "actual" in your quantum theory. It reminds me of my Aristotelian preference for potential infinite instead of actual infinite, but I will not go into anything on that matter here due to time constraints; I have to get to your actual FQXi essay at some point:)
Thanks again for your interest and support of "Digital Physics". Spread the word!
Jon