In regards to Borges' library...
I think the example is too simplistic to produce meaningful works, like the Sonnets of Shakespeare or the like. One would need randomness along with some rule that enforces directionality to achieve meaning or congruency in any one room. This does appear to arise naturally in the context of non-associative geometry. I got to talk a bit with Tevian Dray about this at GR21 (in the context of quantum gravity), and that forms the basis of my essay. But I have written several pages of octonion poetry, and here's one of my favorite examples.
One open, as multiplicity and formless nothingness, finds peace in true relation and knows all as self.
But the curious thing is that when one follows the rules of progression dictated by the octonion framework, it is a hierarchy of levels of abstraction. In this way; each possible outcome is a span from most abstract to most specific conceptually. So this notion shows more promise, in being able to crank out meaningful works, than the schema of Borges.
However; it would seem the analogy with Borges holds at a level closer to the origin. There is evidence that human language is a paring down of the glossolalia metalanguage of young children, such that the tonal elements of a specific language of one's family or nation of origin - instead of the prior notion that syntax is hard wired. So at that hierarchical level, the example might make more sense. I look forward to seeing your response.
All the Best,
Jonathan