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Donatello,

If I understood you correctly, you are not ready for a radical break space from time?

Donatello

Thank you for that essay. I have been hoping to find one such as this. It also opens the door to connections with others who are realizing that music has much to do with physics, especially quantum physics.

In your essay you mention:

In physics the most groundbreaking ideas are the simple ones.

This is a principle held by many, including Einstein. However, the mathematics used to define such things as quantum mechanics is horrendous. When we consider fields as continuous in nature and mass as composed of infinitesimal points it follows that the mathematics will be very complex.

Musical mathematics, although it can become quite complex, can be reduced to very simple precepts. The structures of music are defined by the Enharmonic System. If you look up enharmonic in a dictionary it will define enharmonic as - notes that sound the same but are written differently. This is the exact opposite of what enharmonic actually means. In an enharmonic system we are dealing with notes that are written the same but sound differently.

Even a simple scale, called a diatonic scale in music, has intervallic problems. It actually takes three diatonic scales to create perfect harmony. It takes 38 scales to allow for proper tuning of the chromatic system. Most musicians do not understand the enharmonic system. If they did we certainly would not have the tonometric system. I described the tonometric system in the essay. Let me reiterate a simple example. In the tonometric system the perfect fifth (with the exception of the octave the most basic interval) looks like this:

Whereas the perfect fifth is simply:

Not only can everything in music be defined by positive integers the entire enharmonic system is comprised of the powers and multiples of just three numbers; 2, 3 and 5.

I cannot help wondering that if so much of quantum mechanics appears to be musical in nature how much could it be simplified if we really used musical principles.

    Apparently my math examples were left out. No problem as they were not really that important.

    Donatello

    While in many ways the interior of a concert hall behaves like the interior of an instrument such as, say a trombone there is a difference that bothered me for a long time. That remarkable standing wave that was created when we performed in the Chapel of the Resurrection in Valparaiso Indiana was created by the resonances of the voices and instruments of the performers.

    In a voice or an instrument the air chambers that contain the resonances are small and the wave would form virtually instantaneously. In an area the size of the Chapel there should have been a delay. The delay in that area should have been greater than a tenth of a second and would have easily be sensed but the lovely sound started immediately.

    Then I remembered the first moon landing where they crashed the LEM into the surface of the moon. This caused a resonance (NASA called it resonance which is to their credit). According to NASA the moon rang like a bell for a considerable time. If the resonance was progressive the size of the moon should possibly have made the resonance impossible but apparently the resonance was instantaneous, just as with the interior of the Chapel.

    The only explanation is that the resonance was already sounding. There is plenty of ambient energy in just about anything, solids, air, whatever.

    On the moon it was an impulse function, much like clapping to elicit a resonance. This is usually what is done in places like Stonehenge and the old Greek theaters (not the best method) but it words to a degree. The chapel had such a dramatic response because the pitch of our performance was at or very near the fundamental frequency of the already existing resonance of the chapel.

    I cannot help wondering about the resonance of an elementary particle and is it a simple as the resonance of macroscopic body.

    This could be a great over-simplification or perhaps it could be something worth thinking about.

    Thanks again for that great article.

    Tom

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      Yuri,

      In relativity space and time mix each other. QM is telling us that space-time is intrinsically cyclic in elementary systems, the periodicity is described by undulatory mechanics (think to wave-particle duality). When this is used to describes the non-relativistic limit it is possible to see the radically difference nature of time w.r.t. spatial coordinates. This limit is obtained by putting the mass to infinity (rest energy) and the momentum to zero. In undulatory mechanics, through the Planck constant, this correspods to put the time periodicity to zero and the spatial periodicity to infinity. in classical mechanics, time is extremelly compactified whereas the spatial dimensions have infinite compactifications. Thus we have an effective 3D description in which the flow of time is an emerging (relational description) phenomenon associated to the tiny periodicities of these elementary cycles (i.e. the elementary particles).

      regards,

      Donatello

      • [deleted]

      The holographic principle associates each bit within a spacelike

      three volume with a two-dimensional Planck-scale area on the surface of that volume.

      • [deleted]

      Donatello

      You wrote: "In relativity space and time mix each other".

      My approach is opposite: space and time need break from each other.

      The problem with speculative thinking is that it is too easy to overlook a basic premise. While I think I am correct about the existence of a natural resonance in the moon I overlooked the fact that a resonance is not self-sustaining. There has to be an initial vibration if a resonance or a cascade of resonances if the resonance is sustainable. There must be a vibration and a feedback occurring in the moon and I will leave the argument there as I am not sure we have enough data about the internal structure of the moon.

      My apologies for this but it does in no way challenge my basic argument.

        Hi Thomas,

        Thank you for your detailed reply. What you say is really fascinating. Though I cannot see your attachments, I can figure out what you say. But I would rather say that if the structure of music is defined by the Enharmonic system, the structure of sound is described by the harmonic system of a vibrating string for example. That is to say on Pythagoras studies. According to my mathematical results the axiomatic (and not intuitive) structure at the base of our description of QM can be elegantly and simply derived from the physics of a harmonic system...after all this idea is also behind orthodox string theory, though this theory is absolutely not simple from a mathematical point of view.

        This also means that the other aspects of music or sound that you describe, if correctly generalized to 4D, can be used to describe important quantum phenomena in a very elegant way, an resolve some of the quantum paradoxes that we have.

        Please give a look to the caption of the pictures in my web page: http://www.ph.unimelb.edu.au/~ddolce/

        regards,

        Donatello

        Hi Tom,

        Probably the system that I would like to describe to explain the mass of the carrier of information and therefore the gauge symmetry breaking that we observe at LHC is more similar to the air chamber of a instrument rather than of a Chapel...but this are just hits that I am trying to work out.

        I keep Reyleight's book close to my desk and I am sure that there I will find help for my hints...actually in that fundamental book about sound theory it is possible to see how an apparently abstract mathematical tool such as the Hilbert space has a very simple description and application in describing the harmonics of a sound source.

        regards,

        Donatello

        I do know very much about moonquake during the lunar missions. Your description could be interesting to study that phenomenon but probably this is not something questioning the foundations of physics...but it could be something questioning the foundations of the moon!

        Regards,

        Donatello

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        An answer to a problem should be simple, otherwise it is only a complication. We should always remember Galielo's lesson:

        "Io stimo piu' un vero, benche' di cosa leggiera, che al disputar lungamente delle massime questioni senza conseguir verita' nissuna"

        [I deem it of more value to find out a truth about however simple thing than to engage in long disputes about the greatest questions without achieving any truth], Galileo Galilei

        Regards,

        Donatello

        Dear Roger,

        I do not agree with the thesis of your essay Nature Has No Faithful Mathematical Representation by Roger Schlafly. Deny the possibility of a mathematical description of reality is deny the possibility to find general objective rules to describe nature. This would be the end of natural philosophy and science of Pythagoras and Galileo. This means to give up with the effort to understand nature. It is reductive to say that the scientific method is all wrong without giving alternative frameworks or proposing new assumptions. You use the complexity of quantum mechanics to claim that nature has no faithful mathematical description, but quantum mechanics is the demonstration that mathematics works by far better than our physical intuition. The amazing accuracy of the predictions of the anomalous magnetic momentum of the electron is an absolute demonstration of the power and correctness of our mathematical description of quantum mechanics. The problem of quantum mechanics is that we have not grasped the underlying physical meaning of QM, i.e. the physical meaning or geometrical description of QM. Copernicus's revolution and Kepler have taught us that a geometrical or mathematical problem apparently impossible or extremely difficult to formalize in simple roles, if approached with the correct physical assumption, e.g. by using the Sun as origin of the coordinates of the system, suddenly simplifies in an elegant mathematical equations or geometrical elements (try to describe planet motions using the Earth as origin of your coordinates, the equations are so complex that the underlying symmetries are completely hidden). A physics hypothesis is true as long it describe consistently our observations.

        In my essay Elementary Time Cycles I discuss how all the fundamental aspects of quantum mechanics and relativity are conciliated in an elegant mathematical form. This has the same form of the system which originated mathematics with Pythagoras and it is at the base of the all modern theory of physics: this is the mathematical description of a vibrating string with all its harmonics. In my papers, published in leading scientific journals, I show with rigorous mathematical demonstrations, certified with peer-review in the better scientific tradition, that the "missing link" for a consistent description of the most fundamental aspect of quantum world is an assumption of intrinsic periodicity of isolated systems, as implicit suggested nearly a century ago by the fathers of quantum mechanics (de Broglie, Bohr, Sommerfeld, Schrodinger, Fermi, Dirac, ...). The mathematics is correct, and this is easy to check. Nevertheless in some cases I had the funny comment that my results are (a long series of) "mathematical coincidences". My question is: What is not a mathematical coincidence in physics?. A mathematical coincidence, if exists, is only something that works mathematically but it is not well understood conceptually.

        Dear Donatello,

        I just finished reading your fascinating essay. It goes without saying that if your approach really works, then this is big news in physics. I have a few questions.

        1. I can't quite make out what global topology/geometry you are proposing. You say in your abstract that elementary particles can be described as "modulated harmonic vibrations of compact spacetime dimensions," and you say on page 3 that "in principle, the external time axis can be dropped." Are you suggesting that "large-scale time" is just a way of talking about different combinations of phases of a small compact time dimension?

        2. I am not even sure if you are proposing a single time dimension (?)

        3. In your figure 4, is the dimension around the cylinder the/a time dimension?

        4. I can understand how changing the geometry could give multiple stationary-action solutions. However, it seems that there would still be a vast space of other paths, which the usual sum-over-histories formulation would want to include. Are you saying that these paths are irrelevant, or contain redundant information?

        5. If you do have a small compact time dimension, I'm not quite sure how this fits with GR. Is this time dimension spatially constant? (this is really part of question 1).

        6. You say that current experimental time resolution is too coarse to detect the internal clock. Do you think this will be accessible any time in the near future?

        7. Are there any other experimental predictions/confirmations you are looking for?

        I hope you'll bear with me on these questions... I think your essay is well-written, but it is densely packed with information, and I am not quite sure how to interpret certain aspects of it. Anyway, thanks for the enjoyable read! Take care,

        Ben Dribus

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          For better clarification my approach

          I sending to you Frank Wilczek's 3 keen articles

          http://ctpweb.lns.mit.edu/physics_today/phystoday/Abs_limits393.pdf

          http://ctpweb.lns.mit.edu/physics_today/phystoday/Abs_limits393.pdf

          http://ctpweb.lns.mit.edu/physics_today/phystoday/Abs_limits400.pdf

          All the best

          Yuri Danoyan

          • [deleted]

          I missed part 1

          For better clarification my approach

          I sending to you Frank Wilczek's 3 keen articles

          http://ctpweb.lns.mit.edu/physics_today/phystoday/Abs_limits388.pdf

          http://ctpweb.lns.mit.edu/physics_today/phystoday/Abs_limits393.pdf

          http://ctpweb.lns.mit.edu/physics_today/phystoday/Abs_limits400.pdf

          All the best

            • [deleted]

            Donatello

            I have read your essay 'Elementary Time Cycles' now several times. Much of the physics involved I am not really that comfortable with but I have a thought about scaling.

            If we take lump of high grade steel and strike it we get a rather short clunk. If we take the same hunk of steel and fashion it into a bar much like that of a xylophone we get the same overtone structure but the sound we describe as musical. This is because more of the energy of the vibration is now directed to the lower overtones. Unlike the the clunk this sound sustains itself for a fairly long interval.

            It is vibrating. A vibration can sustain itself where a resonance cannot. When we touch the tuning fork to a table top we only hear the sound from the tabletop while he tuning fork is in contact with it.

            If we maintain the proportions of the steel bar and reduce the mass by one half the pitch will go up one octave. We can continue doing this and the pitch will rise every time we reduce the mass. The question is; how small can we make this bar? Even a bar that is almost microscopic will still have a great number of atoms. Would a bar with four atoms sound a pitch one octave lower than a bar with two atoms?

            What the is the relation of the elementary particles of the atom to the vibration of the atom itself.

            The same question can be asked regarding any harmonic structure including the overtone series itself. How similar are the musical harmonic structures to the harmonic structures you speak of in your paper?

            If much of the harmonic structure mentioned in QM are defined by discrete small integers it would change the way we approach it.

            Tom

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            Slower case

            http://arxiv.org/ftp/arxiv/papers/1209/1209.3765.pdf

            Dear Donatello,

            Thanks for sharing your essay. It is very well written. It is interesting we both get the results of a relativistic quantum field but with different models. (I believe you use an unobserable extra dimension to describe periodicity and the vibrations in mine are real.) I also work on the idea for a while. Similar results and ideas were first posted in a 2007 pre-print.

            To better understand your idea, I have some questions:

            I believe the internal clock in your model is digital. What happens within a period is a cyclic time with a compactification radius in time.

            1.Is the cyclic time the same as what we expect for a compact dimension that start at a particular time and travel back to the same time after one cycle?

            2.Is it just a mathematical presentation of the periodicity?

            3. Is the cyclic time physically observable?

            4. Will the extra dimension create another force field like in Kaluza-Klein theory?

            Best of wishes for you in the contest.

            Hou Yau

              Hi Ben,

              thank you for your comments on my essay. I present a new idea and it is not immediate to figure it out, though eventually it turns out to be extremely intuitive.

              The theory indeed works spectacularly. So many mathematical results cannot be a coincidence, they point out a conceptually fascinating description of the quantum word. This description is different from our ordinary description but absolutely compatible.

              I will reply to your question but for a more detailed description please refer to the section "comments and outlooks" of arXiv:1110.0316, in particular the one at the end of par.1.

              1) Right! I am saying that our flow of time is a relational or effective description at "large scale" of the phases of the elementary time cycles, i.e. of the elementary particles. The vibrations of the space-time dimensions with characteristic periodicity describe through the Planck constant their kinematical state of what de Broglie called elementary parcel of energy and that we today simply call elementary particle. A free particle, i.e. constant energy, has persistence time periodicity. As a pendulum in the vacuum, every elementary particle can be used to define a time axis on which describe events. That is, as in an ordinary calendar or stopwatch, different presents or events are characterized by the combination of elementary time cycles of the elementary particles This is a very familiar description of time flow because in our in everyday life we use the cycles of the Moon and the Earth, or their approximation that we call years, months, weeks, days .... Every particle or observer, depending on its kinematical state, describes a different combination of phases, i.e. a different present (relativistic simultaneity). Interactions, i.e. events in time, are variations of energy and thus of periodic regimes of the elementary clocks, So that we can establish a before and an after and order event in time. The periodicity of the clocks and the energy of the corresponding particle are two faces of the same coin, as we known from ordinary undulatory mechanics. The retarded variations of the energy prescribed by the relativistic framework of the theory means that the periodicity varies with the retarded potentials and this yields a reinterpretation of causality as retarded and local modulation of periodicities. This formulation in which every particle is a reference clocks enforces the local nature of relativistic time, and solves some of the issues related to the problem of time symmetry. Since every particle is a reference clock, every particle can be used to define our external (and artificial) relativistic time axis, so that the inversion of the (arbitrary) helicity of a single clock does not imply to invert all the other clocks. We just invert the axis defined from that clock but the chain of events in time, i.e. the combination of the phases of the other clocks remains the same. Thus we describe the same flow of time. The difference in this case is that the inversion of a single clock corresponds to describe the corresponding antiparticle, i.e. antiparticles are clock with inverted helicity. I could continue for pages to describe the elegance and the naturalness of this description of the flow of time, please read my papers.

              2) In undulatory mechanics, according to the wave-particle duality, we represent a particle as a phasor. This implicitly says that the (space-)time coordinates in elementary particles are angular (cyclic) variables. In our atomistic description of nature every system is in fact described in terms of a set of elementary particles, thus every system can be parametrized by a set of cyclic coordinates (whose minimal topology describing the quantization of the energy-momentum is S^1 if we neglect a possible spheric symmetry and the corresponding quantization of the angular momentum).

              Thus a system of (non-quantized) free elementary particles is represented for example (considering only time periodicity) by sin[E_1 t_1 / hbar], sin[E_2 t_2 / hbar], sin[E_3 t_3 / hbar], ... , sin[E_n t_n / hbar] where t_1, t_1,... ,t_1 are independent cyclic coordinates of periodicity h/E_1, h/E_2, ... , h/E_n, respectively. Now, every phasor (persistent periodicity) is a reference clock that can be used to define an external time axis t \in R so that t = t_1. But we also can now use the external time t to parametrize every phasor so that the phasor are sin[E_1 t / hbar], sin[E_2 t / hbar], sin[E_3 t / hbar], ... , sin[E_n t / hbar] ... of periodicities h/E_1, h/E_2, ... , h/E_n. Thus, since we can compare the periodicities of the different clocks, every cyclic coordinate can be parametrized by a common coordinate t whose periodicity is related to the periodicity of that particle, and the description can be reduced to a single time. I hope this answers your question - with a little of imagination.

              3) and 4) The dimension around the cylinder is the time dimension of an elementary particle (in case of interaction the cylinder should be deformed, see fig.5 to have an idea). In an intrinsically periodic phenomenon, such as that associated to an elementary particle, the evolution from a given initial configuration to a final configuration is described by the interference of all the possible paths with different windings numbers. It is possible to show that this sum over such classical paths associated to a cylindrical geometry reproduces the ordinary Feynman Path Integral. That is, by imposing periodic boundary conditions to a field, the field can self-interfer as it evolves. This means that in the Feynman path integral only the periodic paths are really relevant. Intuitively these are the only paths having positive interference, the others fade out for distructive interference as the anharmonic modes of a vibrating string where only the harmonic modes with frequency n/L remains.

              5) This fits perfectly we relativity because the periodicity is relative as time. For instance consider a particle in a Gravitational potential. The energy of such a particle w.r.t. a free one differs as E' = E (1 - G M /r). By means of the Planck constant and undulatory mechanics this means that the periodicity of the internal clock of that particle differs as transformed periodicity T' = T (1 G M / r) w.r,t. a clock outside the gravitational well, that is time runs slower inside the gravitational well, as well-known. The mathematical reason for the consistency with relativity is because GR is about the metric but does not give any prescription about the boundary conditions, For instance, there are many action describing the Einstein equations as equations of motions, but all these actions differ by boundary terms. If we play with boundary conditions consistently with the variational principle it is possible to derive exactly QM from relativity. This is mathematically proven in my papers.

              6) and 7) Experimental time resolution is too coarse to detect the internal clock at the time of the fathers of QM (but sufficient to determine the constancy of the speed of light a to give rise to relativity). Today we are reached the resolution in time sufficient to detect the internal clock. The internal clock of the electron has been already observed indirectly in 2008, see ref. [12] Search for the de Broglie Particle Internal Clock by Means of Electron Channeling, P. Catillon, et.al,

              Found.Phys.38(2008)659 of my essay. Such an experimental resolution when reached will open a new frontier in physics. it will allow us to control the quantum dice with unimaginable applications. This is a prediction. I have some precise ideas on the possible predictions of the theory that I cannot anticipate here because, as you say, my essay is already too dense. I hope to find soon a job opportunity that will allow my to present this predictions in a scientific form.

              Best regards,

              Donatello